In the Sixth Canto, 17th Chapter, there is a description of King Citraketu who was travelling in space in his airship, surrounded by hundreds of beautiful celestial women, called Vidyādharīs, who are famous for their melodious singing. Citraketu engaged in the kīrtana of Bhagavān, accompanied by these beautiful lady singers.
by Satyanarayana Dasa When I first joined Bhaktivedanta Swami Gurukula, Vrindavan in 1987 as a Sanskrit teacher, Kurma Rupa prabhu was the first faculty... Read More
Of the Six Sandarbhas, Tattva Sandarbha is the smallest in size, but not in importance. As its name suggests, it discusses the Reality (tattva)... Read More
Śravaṇam precedes kīrtanam and smaranam because it is impossible to remember or glorify something one has not yet heard about. Despite this practical primacy of śravaṇam, kīrtanam is actually of primary significance and importance, and, therefore special attention should be given to its practice.
In the 7th Canto of Śrīmad Bhāgavatam, Śrī Prahlāda speaks two verses to his demoniac father Hiraṇyakaśipu, which, in brief, contain the essence of... Read More
After explaining the nature of Kṛṣṇa, who is equal in honor and dishonor, Śrī Nārada explained that Śrī Kṛṣṇa does not see a difference between people who approach Him out of enmity, or without enmity, with fear, affection, or desire to enjoy Him (kāma):
In the Seventh Canto of Śrīmad Bhāgavatam, there is a very interesting dialogue recited by Śrī Śukadeva Gosvāmī about the liberation of Śiśupāla who was killed by Kṛṣṇa during Yudhiṣṭhira Mahārāja’s Rājasūya-yajña. Śiśupāla was Kṛṣṇa’s cousin, but hated ...
